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There are more than 200 results, only the first 200 are displayed here.
I flip his collar, air chill, damp, my quick fists burrowing into jacket pockets. I long for an angel with Edie’s face, convent-innocent, unlike mine, who might understand, even share, my boyish dream of making the big time.
If we want to renew religious language and images we must begin with attention to the words we currently use, noticing their resonance as well as their meaning. It is then important for the language of prayer and reflection to be grounded in deep contemporary experience.
Precipitation before thunder/anticipation in the dusty wings/ premonition & catalyst/excavation site unseen/the poem poised to be written/a treble clef before dancing notes/the dapple around the whisper/a story unbirthed & untold.
Real power never changes hands. And yet like a spell, we cast our votes in a ballot box for the same corrupt government.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
After building a reputation for foreign intervention and collateral damage — the most recent example being Libya — the North Atlantic Treaty Organisation (NATO) is asserting its influence during the COVID-19 pandemic, this time by exploiting the humanitarian paradigm.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
Pride is politically messy. When you stir together an alphabet soup of people, all of which have other intersecting identities (race, class, religion, political allegiance), you will invariably plate up a political mess. And the 2020 Sydney Mardi Gras dished quite the menu.
My dog I've had for 14 years dies, and I decide to spend two days in bed. I look online and see that more than a billion Australian animals have died in the fires. Guilt spirals on top of guilt. How gauche, to feel this private grief, when there is such public grief already.
The Labor Party's dismal performance this year has been bookended by May's election loss and this month's campaign review report. As it reflects publicly on the devastating election loss, discussion has also begun among Labor supporters about whether it has chosen the right leader for the future in Albanese.
If you're not burdened by a conscience, it's a perfect get-rich-quick scheme: offer 'garrison' services to governments reluctant to get their hands dirty. Ensure the vulnerable people you 'manage' are hidden, demonised by politicians and right-wing commentators. Hire cheap labour, minimise your tax, and make millions.
49-60 out of 200 results.